前岛皋月（杉咲花饰 饰）在东京的一家园艺店工作，她开始对自己当声优的梦想渐渐失去了热情。她似乎对所有的事情都无法投入认真，包括对恋爱的态度也是如此。然而，一天，她遇到了花园设计师森下陆（藤原季节 饰），在前岛皋月做的一个容器栽培项目上引起了他的注意。陆对这个项目很感兴趣，并提出让皋月帮忙参与他的庭院改造项目。 　　在协作的过程中，陆和皋月很快发展成了恋人关系。他们彼此之间产生了深厚的情感，并且在花园的建造过程中互相支持和帮助。在这个节骨眼上，园丁白石悠磨（森山未来饰 ）加入了这个项目，他的出现让森下陆开始心动，感到困惑和动摇。

The lighting for movie cameras has always been calibrated for white skin; three filmmakers collectively explore the literal, theoretical, and philosophical dimensions of that reality in this discursive, playful, and profound work of nonfiction.

Dan Warner is a desaturator, tasked with sapping beauty from the world in a future where Color is used as energy. When his superiors suspect that he may secretly be hoarding color in order to support his "unhealthy" passion for drawing, Dan is reassigned to the outer precincts where he is faced with a decision that will decide the course of his future.

The lighting for movie cameras has always been calibrated for white skin; three filmmakers collectively explore the literal, theoretical, and philosophical dimensions of that reality in this discursive, playful, and profound work of nonfiction.

Dan Warner is a desaturator, tasked with sapping beauty from the world in a future where Color is used as energy. When his superiors suspect that he may secretly be hoarding color in order to support his "unhealthy" passion for drawing, Dan is reassigned to the outer precincts where he is faced with a decision that will decide the course of his future.

一对夫妻陷入生活困境，但两人白天为一日三餐如何解决争吵过后，晚上会相拥而眠。 　　这日男人独自在街头徘徊，神色抑郁，餐馆里他人享受美食的画面他只能远远欣赏艳羡，口袋里的钱只够勉强喝上一杯咖啡。他见某间店外的雕像大口咀嚼食物，错愕不已昏死在地。醒来他见面目仁慈的“店主”，获得一份单调乏味的工作。工作换来食物，却令他与妻子的矛盾越来越大，他的生活陷入越来越被动的境地——他不知的是，“店主”所给原是一份慢慢踏上不归路的工作。

一对夫妻陷入生活困境，但两人白天为一日三餐如何解决争吵过后，晚上会相拥而眠。 　　这日男人独自在街头徘徊，神色抑郁，餐馆里他人享受美食的画面他只能远远欣赏艳羡，口袋里的钱只够勉强喝上一杯咖啡。他见某间店外的雕像大口咀嚼食物，错愕不已昏死在地。醒来他见面目仁慈的“店主”，获得一份单调乏味的工作。工作换来食物，却令他与妻子的矛盾越来越大，他的生活陷入越来越被动的境地——他不知的是，“店主”所给原是一份慢慢踏上不归路的工作。

This experimental Lithuanian-German production offers a challenge for those not familiar with the culture. It is told without a clear narrative and contains no dialog. Set in the country's capital, Vilnius, in a run-down apartment. Mostly the film is a highly-symbolic chronicle of daily life there. At one point someone holds a party featuring music, dancing, plenty of cigarette puffing, and a smidgen of sex. According to filmmaker/writer/star Sarunas Bartas, he deliberately utilized off-beat narrative structures to symbolize the links between Lithuania's past and present, links, like the long hallways of an apartment block, that offer many possibilities behind each door.

This experimental Lithuanian-German production offers a challenge for those not familiar with the culture. It is told without a clear narrative and contains no dialog. Set in the country's capital, Vilnius, in a run-down apartment. Mostly the film is a highly-symbolic chronicle of daily life there. At one point someone holds a party featuring music, dancing, plenty of cigarette puffing, and a smidgen of sex. According to filmmaker/writer/star Sarunas Bartas, he deliberately utilized off-beat narrative structures to symbolize the links between Lithuania's past and present, links, like the long hallways of an apartment block, that offer many possibilities behind each door.